{"id":1531,"date":"2021-02-16T19:33:59","date_gmt":"2021-02-16T19:33:59","guid":{"rendered":"https:\/\/pem.facmed.unam.mx\/?page_id=1531"},"modified":"2021-02-16T19:34:01","modified_gmt":"2021-02-16T19:34:01","slug":"teresa-olabuenaga-la-ida","status":"publish","type":"page","link":"https:\/\/pem.facmed.unam.mx\/index.php\/teresa-olabuenaga-la-ida\/","title":{"rendered":"Teresa Olabuenaga | La ida"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.5.3&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_fullwidth_header _builder_version=\u00bb4.5.3&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#ffffff\u00bb background_image=\u00bbhttps:\/\/pem.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/seccion_teresaolabuenaga.jpg\u00bb custom_margin=\u00bb-49px||||false|false\u00bb]<\/p>\n<h1><strong>Teresa Olabuenaga | La Ida<\/strong><\/h1>\n<p><strong>Escultura<\/strong><\/p>\n<p>[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.5.3&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.5.3&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.5.3&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.5.3&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#ffffff\u00bb]<\/p>\n<p>En la obra de Olabuenaga al igual que en los sue\u00f1os, la narrativa no es lineal. Tiempo y espacio se ven superados en una sucesi\u00f3n arbitraria de elementos simb\u00f3licos. Ensamblando frases, texturas y fragmentos del cuerpo la artista crea un universo personal.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb4.5.3&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/pem.facmed.unam.mx\/wp-content\/uploads\/2021\/02\/la-ida-olabuenaga.jpg\u00bb title_text=\u00bbla ida-olabuenaga\u00bb _builder_version=\u00bb4.5.3&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#ffffff\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.5.3&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.5.3&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_gallery gallery_ids=\u00bb1530,1525,1524,1526,1527,1528,1529&#8243; gallery_orderby=\u00bbrand\u00bb posts_number=\u00bb7&#8243; orientation=\u00bbportrait\u00bb show_title_and_caption=\u00bboff\u00bb show_pagination=\u00bboff\u00bb zoom_icon_color=\u00bb#ffffff\u00bb hover_overlay_color=\u00bb#515191&#8243; hover_icon=\u00bb%%186%%\u00bb _builder_version=\u00bb4.5.3&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#ffffff\u00bb][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Teresa Olabuenaga | La Ida EsculturaEn la obra de Olabuenaga al igual que en los sue\u00f1os, la narrativa no es lineal. Tiempo y espacio se ven superados en una sucesi\u00f3n arbitraria de elementos simb\u00f3licos. Ensamblando frases, texturas y fragmentos del cuerpo la artista crea un universo personal.<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1531","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/pem.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/pages\/1531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pem.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pem.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pem.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/pem.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/comments?post=1531"}],"version-history":[{"count":4,"href":"https:\/\/pem.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/pages\/1531\/revisions"}],"predecessor-version":[{"id":1536,"href":"https:\/\/pem.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/pages\/1531\/revisions\/1536"}],"wp:attachment":[{"href":"https:\/\/pem.facmed.unam.mx\/index.php\/wp-json\/wp\/v2\/media?parent=1531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}